Quando fui a Leeds em Março, voltei ao Museu da cidade e estive a contemplar os quadros dum pintor britânico, nascido em Leeds,
que é praticamente desconhecido globalmente.
Fiquei extasiada perante alguns quadros, todos eles envoltos num certo mistério, luzes nocturnas, esparsas, nevoentas e telas muito inspiradoras.
Já andava com vontade de escrever sobre ele há meses, hoje resolvi fazê-lo para me distrair das peripécias políticas que enchem as páginas dos jornais e da net.

Vai aqui um texto curto da Wiki sobre o artista.
In 1861, at the age of 24, to the dismay of his parents, he departed from his first job as a clerk for the Great Northern Railway to pursue a career in art.
He began exhibiting in 1862, under the patronage of the Leeds Philosophical and Literary Society, with paintings mainly of dead birds, fruit and blossom.
He became particularly successful in the 1870s and was able to afford to rent a second home in Scarborough, which also became a favourite subject.

Fiquei extasiada perante alguns quadros, todos eles envoltos num certo mistério, luzes nocturnas, esparsas, nevoentas e telas muito inspiradoras.
Já andava com vontade de escrever sobre ele há meses, hoje resolvi fazê-lo para me distrair das peripécias políticas que enchem as páginas dos jornais e da net.
Gostava de ter produzido estes quadros, o que não acontece com muitos outros que nunca me passaria pela cabeça copiar ou reproduzir.
Fotografei vários que podem ver aqui, juntamente com outros da colecção: http://www.johnatkinsongrimshaw.org/
Vai aqui um texto curto da Wiki sobre o artista.
John Atkinson Grimshaw (1836 - 1893) was a Victorian-era painter, notable for his landscapes, usually known as Atkinson Grimshaw.
He was born 6 September 1836 in Leeds. In 1856 he married his cousin Frances Hubbard (1835-1917).
He died 13 October 1893, and is buried in Woodhouse cemetery, Leeds.
He died 13 October 1893, and is buried in Woodhouse cemetery, Leeds.
In 1861, at the age of 24, to the dismay of his parents, he departed from his first job as a clerk for the Great Northern Railway to pursue a career in art.
He began exhibiting in 1862, under the patronage of the Leeds Philosophical and Literary Society, with paintings mainly of dead birds, fruit and blossom.
He became particularly successful in the 1870s and was able to afford to rent a second home in Scarborough, which also became a favourite subject.